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(atents pairs d'OLOT:)) Happy holidays


few days ago I'm going through the holidays at home today and I look forward "merendola" with parents of juveniles of Olot, remember battles, have new experiences. In short, being with friends one afternoon, thank you, soys the best!

know you visit my blog it quite apart I wish you saw the club I am now, and then some other that I detail.
PD: Mil gràcies per tot! Als petits Animeu to segueixin estimant l'esport!

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askartza.blogspot.com club, with new entries almost almost daily.

www.blogseitb.com / waterpoloelblog
Blog comprehensive water polo water polo in general and of Euskal Herria.

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Blog Askartza the children of his own blog.

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Best wishes for everyone s. From waterpolocomoyo the best wishes for 2011 already reached. A hug.

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2011 Buenos Aires International Design Festival 2010-videoperformance-

Jaguar installations, project selected for the event.






"jaguar, Panthera onca Palustris"
installation is basically a conceptual structure of a 5:1 scale geometric model of a "Jaguar" which is in serious danger of extinction (there are 250 copies), ie a model abstract 5 times larger than the reference animal. In practical terms is the development of several construction diagrams that are implemented by means of metal parts. The construction of a model in a non-conventional size would be like a small demonstration and reporting on the possible disappearance of the fauna of Argentina, the "performance" at least try to create a reflection on the problems concerned about the issue in general and the Yaguarte the Americas in particular. Design Festival in the structure consisting of several parts assembled in the end is a "totem" or sculpture with a particular place for exhibition, contemplation and ultimately to generate a critical reflection on the various attendees. It is our desire and our small demonstration constructive.

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COMING SPECIAL "INTERNATIONAL DESIGN FESTIVAL 2010" Asia in Acamp



Metropolitan Design Center

SHOPS-Buenos Aires. Metropolitan Design Center (WDC) located in Villarino 2498, on the south side of town BsAs, is under the Directorate General of Creative Industries and Trade of the City of Buenos Aires, which gesture and organizes one of the most promising festivals these days, in terms of creative design. The recently-conditioned building created in 2001 to be in the future if an epicenter for design in general, away from more central or remote dedicated centers of the most established and therefore more established, which have fallen more speculation trade in principle and more recently over speculation "snobs" which takes away most refreshing character and above all, purposeful.



International Design Festival (IDF) to take out a second time, between 22 and 31 October this year in the building of the CMD, and tours of the entire city. It is intended under the theme "Design for All" a couple of months ago openly called businesses, professionals and institutions to participate in the International Design Festival that seeks to promote design as a competitive tool for the company. While the IDF is relatively new in the cultural agenda is now in its second edition, the first Festival was held in October 2006 brought together more than 150 designers from all disciplines and was visited by More than 30,000 people, which showed local design through export containers displaying product samples near the port.



The IDF intends to exhibitions, lectures, installations, fashion shows, product launches, shows, debates, workshops, exhibitions, competitions, street circuits, among other activities. You can perform the "Design Cities Summit" involving representatives of the cities designated by UNESCO as a city of design. About
CMD building. was constituted as such after being called to national competition and the Central Society of Architects established the ruling on December 17, 2001 the winners of the National Preliminary Plans for the enhancement of the former Fish Market building, now "Metropolitan Design Center" to the architecture studio led by architect Gaston Flores.

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Topographies urban and cultural geography - by Jorge Mele

The city remains the subject of the musings of anthropologists, social scientists, architects, planners and environmental specialists who try to interpret the complexity of diagnosing states of affairs are not always approachable from Orthodox eyes. Undoubtedly
multiple readings can be made generic conditions today, wondering what kind of object the word refers today ciudad.Pero even more, which is the kind of questions from critical thinking to historical formations can be raised informally sedimented dragging and build their layers with a logic so indeterminate as foreign to the ways of traditional disciplines of space.
local joints epochal determinations have been generated in our cities, their characterization more tangible and more inasibles.Estas their potentialities, transformations have led to significant manifestation of which is left to perceive in the juxtaposition of fields of both symbolic and material interests, but whose articulation in terms of urban fragments are not as clearly delimitables.La field condition such situations, has blurred edges and the former urban district in topography have become constitutive of cultural landscapes significantly definidos.Como already raised "a map is not the territory" and less shares that are developed in.
is the place of their architectures on to signify the fact, inhabited ?.... is the simplified notion of a function where its basic economic relevance? Or perhaps we confront a type of highly complex phenomena whose links are generated tension between city events as well as programmatically directed self-generated processes whose independence of stable matrices can pose different cognitive diagrams encrypted fields of knowledge.
Buenos Aires, today a patchwork of immersive experiences in which their experiences are intensified screening from information within the spaces that are cualificados.Advertimos a systemic dimension relational and open to us as changing information about notorious events of dynamism, these dimensions allow us to construct mental maps or records that enable critical phenomenological notion of bodies in the espacios.Asi between information and material flows edilicias ubiquitous, our experience of the city is built with a diversity of knowledge embodied in a collective set of actions that characterize our future as being urban.
From inside the artificial nature of the city building our cities continues to mutate and colonize territories and geographies that constitute indeterminate situations islands which is inhabited by several cities, reports, fingerprints, trails and future expectations.
The gap between words and things is broad, systems, structures and objects not cease to build appropriate networks for the better qualities of life, levels of complexity suggest potential innovative analytical strategies, tactics and intellectual daring intervention unexplored rhetorical subtracted from redundancy.

JS Mele

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SHOW AND PRESENTATION OF arteurbain.fr `'IN BsAs


INVITATION, Tuesday 27 July. 19hrs
Central Society of Architects, 938 motevideo

The Seminiario Robert Auzelle invites teachers and students to the presentation and launch in Latin America of the 2010-2011 edition of its International Competition Urban Art . Robert Auzelle
The Seminar is a French institution under the Ministry of Ecology, Energy and Sustainable Development to promote and publicize the quality of urban space by organizing its annual competitions aimed at teams of students and faculty mentors Architecture, Landscape, Engineering, Ecology, etc.
On the occasion of the 25 years since the creation of Robert Auzelle Seminar, the topic of our discussion draws attention to the importance of residual voids, interstitial, abandoned, or vacant industrial intermediate, or industrial land in large urban agglomerations in small towns, as an opportunity for reflection and project.
This conference will be attended by the Architect Planner Varinia Taboada, Ambassador Robert Auzelle International Seminar, Professor of Latin American Cities Project and the Ecole Nationale Supérieure d'Architecture de Paris-la Villette, Consultant, Ministry of Foreign Affairs of France urban research, etc, as keynote speaker, and Belén Gallegos and Martin Fernández de Lema, only members of the winning Argentine team in the 2008-2009 edition of this contest.

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MoMA.PS1. Warm Up + YAP

construction process, before the start.

POLE DANCE SO-IL
Installation and PS1 Fiesta

NY-Queens. Since June 21 is underway in Queens one of the most avant-garde events and innovators of our time. In different fields from architecture, music and art with the PS1 "Warm Up" created and amalgamate an interesting mix of young talent in a single space. It's an interesting site that attempts by a summer festival bringing together various artists, musicians and young architects to the general public, which also created a party atmosphere a great contemporary atmosphere, that is a different climate levels of speech or language young contemporáneos.El SO-IL study which won the minimalist construction and ephemeral for this year was Idenburg and Jing lui Florian. Both professor at Columbia GSAPP.

Continuing with more pictures and videos of Warm Up



"Pole Dance" created by the young architectural firm F. Idenburg & J. Liu for the 2010 edition of YAP is composed of a module that measures 5 x 5 meters by 9 meters high, try to avoid the formality and excesses in different levels (intellectual, material, formal, etc etc) proposes an interaction between structure and movement which would create unity in a sensory sense. The team led by Idenburg, who collaborated on 7 years of SANAA, proposed something as simple yet complex and its materiality as to its meaning and possible interaction with visitors to the event "Warm UP". All the installation seems to be effective with a certain amount of people choreographed (as in the video) but not so when the chaos of many people and not allow it.

The 2010 MoMA / PS1 Young Architects Program MoMA presents POLE DANCE by SO-IL Yellow Line Pictures from on Vimeo . Constuctivamente

consists of 5 devices or parts installation, anchors set in concrete but the clubs that support networks, plus a series of audio devices and equipment locations. to present the whole show is overshadowed Pole Dance or more attenuated (perhaps this is a premise of SO-IL) but the interesting shows and performances by various artists within the current headquarters building young MoMA PS1 was the first Primary School (Primary One School) in Queens is more popular and generate more interest. The proposals more 'intellectual' or pretentious but in a sense as more substantial or more substances are difficult to understand by the general public that the vortex of our lives allows us to warn us more spiritual events or transcendental form of things, something that Eastern culture is more likely to understand and capitalize.

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Latest Eric Goldemberg (Monad Studio) in Architecture and biomorphism



talks Cycle camping "New Constellations / Taxonomies 2010"

Eric Goldemberg (Monad Studio) comes to speak on "Architecture of press"

this Wednesday 23-06 at 14hs in the meeting room of the FADU

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FADU

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strategies and performance of design strategies ... and their implementation - by Nanette Cabarrou

Walter Benjamin, "Theses on the Philosophy of History" is the role of history as an angel moving away from something that has stunned. His eyes are staring open, open mouth and outstretched wings. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it at his feet. Blowing from Paradise a hurricane that has caught in his wings with such violence that the angel can no longer close.
This hurricane will inevitably push forward, which gives back, while the pile of debris before him grows to the sky.
This storm is what we we call progress. (More text and pictures in full article)

seems appropriate to establish a relationship between this metaphor and architecture, which is trapped by this, to build such works as consolidate and shape the cities, but with the passage of time as the "data chain" remains to be be preserved as a record of the passage of time but which in turn are confronted with those representing other progress.
architecture is imprisoned by this reality.
other hand is a discipline that is a mediator between art and technology and the difficulty is that these boundaries are blurred as the objectives and attitudes converge.

is difficult to define the scope of the two professions and this has led to much discussion, but it is precisely this difficulty that makes the essence of both disciplines.
If we define the limits within which it develops its action, perhaps we should define the status of occupancy of the architecture, the need to be a "dwelling" which should be supported structurally, that is dependent on a technical condition.

This would be a different situation in relation to art and would lead to the need of having architecture design strategies of the discipline which carry these characteristics.
can be defined to planning strategies and the creative will of a particular object that matches an existing idea, which may be modified during the creative process, but that is what distinguishes a work of architecture or art, otherwise does not fall within this listing is simply a "construction", an object, a painting etc.

in this regard is that these strategies or guiding principles have varied at different periods of history, but have been a constant in the creative development of the architectural work.
could list some of these strategies as a taxonomy "Borges" taking some historical examples.
For example, the Vitruvian man in Greece, the Renaissance of the unhistorical, snorkeling among the ruins to get the inspiration for a new "renaissance" of architecture, archaeological overcoming of the Enlightenment, which should incorporate references hitherto unknown, looking for possible sources for architecture, emphasizing the structural building components.

Then during the period of Romanticism seeks to reconcile the past with the present, impossible task, since technological progress inevitably affects new building types that must account for the new programs.

thus can reach the period of modernity, the semantic crisis of the arts and architecture, a break with the past, "the death of Art", according to Hegel, art was understood as until then ... the loss of the center as a design strategy regulator of different types.
The Vanguards disown the past, trying to break the constraints of "style" of regulating lines.
It will be seen as challenging task despite adverse comments by Gropius, "De Sijl" or "Bauhaus style", will survive through time ...

The Team 10 will define new strategies for design and urban habitat, but without breaking with the legacy of modernity.
critical theories of this period are reflected in utopian and radical solutions are intended as endorsing a new type of society, more egalitarian and equitable.
The "forgotten history" as a compositional strategy, again with different modes of appropriation dehistoricized, from architects to use as a reference instead of ownership.

At one time, some architects will be artificially grouped into categories labeled artificially from the MOMA by Phillip Johnson, validating the different strategies of appropriation of architectural images, a symbol of belonging to the "limbo of the elect."
Since the nineties the phenomenon of "globalization", creates a reality shaped by the dispersion and difference.

incite The new digital tools to find new design strategies that take into account this new reality, a new way of solving the project problem will result in new approaches to architectural object, but as in every period of history were a mere instrument of creation, not guaranteed that the intrinsic value of the work.

Then we will only be valid as a witness of his time these works, whatever their design strategy, have been configured as a valid witness of his time.


- NC

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Constellations criticism - Taxonomies 2010 - by Jorge Mele

Mapping the routes of research on the architecture, but since this projective devices, suggests a search field and even provocation to the status quo - permanently moments of discipline warned to uncritically reproduce themselves over the basis of stereotyped patterns. Traditions proyectuales
installed in different cultural formations, but as a dynamic virtualized mobile information is changing strategies, techniques and operational models.
critical appraisal criteria, historical perspectivism and the same construction of architectural knowledge are moving quickly after the persecution of its own consistency epochal.

The echoes of the so-called modern architects to be specific architecture of its historical time once again challenges from technological dizziness present their own condition of possibility. (more text and pictures in full article)

The architecture think tanks are building whose narrative constellations years ago frequent blogs, sites, social networks, public and natural contingencies roads more traditional architectural editorial journalism that fail to characterize the new phenomena in magnitude apropiada.Asistimos with some skepticism, in some cases, to proposals for Greg Lynn or Emergent.

We have treated the pro-neismos at the time sponsored by the magazine and also Quaderns the vitality with which new claims a distinct Latin American architecture hermeneutics of local currencies.

Our imaginary have changed and the way of being in the world. No child is an indication that the naming epistemological breaks record things that put us face realities defined by a kind of new fuzzy edge contractualism social.Marco rather vague and blurred from which the outer ends of the architecture and as internal clogged, articulate or frictional visibilities proliferations of meaning which we pose the generalized crisis of the inclusion of the discipline in the real.

The spectacular backdrop of the architecture of financial bubbles, in sharp decline poses a reprimand where the effects of agenda for the next decade are so problematic and complex.

As distinct and substantive adjectives, architectures diagrámticas, performative, liquid, or parameters have installed some kind of debate more focused on methodological issues that epistemological dimensions.

blotted the memory of the speculations of Christopher Jones, Geoffrey Broadbent, Guy Bonsieppe or upgrading from Christopher Alexander modalities invested in a series of new rationales and a burst of neos that delineate a landscape that looks derives its concept but a reality nomadica multidimensional.

-Jorge Mele

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PANORAMIC 2010. - Avantgarde Bs As -

PANORAMIC

Real Time Visual Panorama

Buenos Aires. 12/11/1913 February. Someone already said, "... there are people who do not know that things happen, people who know that things happen and there are people who make things happen ..." this in each located in one place or another. In this sense the people of "Panorama" (M. Borini, W. and L. Peloche Alberti and equipment) make things happen and next to the Fundacion Telefonica Space have coordinated a new edition of PANORAMA (2) a place where video-music-art have been gathered in order to create an alternative in the picture cultral is a new event and recently appeared in the visual-art circuit in Buenos Aires, developed in 3 days of intense, is a great place to understand and especially to see through which the use of new technologies and their application in a myriad variants from actors who are vijing, txt jockey, jockey pixel, Light jockey, live painting, live cinema, video Maping among others.

avantgarde from Bs As gabriel on Vimeo .

Continuing with more info>>> ------




After a brief open call for the month of November-December, other artists and VJ's, were selected for the days of 11,12,13 February, are artists who work with image, video and sound, executed in real time, the physical location was developed in two assembly halls with audio, video light and especially for the three days that lasted the match. Interesting to note
and usually does not happen, there was a payment of fees for selected artists.
PANORAMIC , according to organizers "... Days dedicated to real-time audiovisual and its variants, display, locate and discuss concepts, environments and techniques within the framework of a program of artistic performances. evolving styles and techniques. Exploring Realtime contemporary audiovisual landscape. Creating a drive that contains and admire the current situation on the regional stage of videos in real time. Construction of real-time audio-visual landscape where experimentation becomes a stream growth and learning, individual and collective. Scene in development. Link and knowledge. Enthusiasm art. Meeting. Work. Technical. Concept. Story. Scene. Language. Display. Light field. Sound. Hardware. Software. Pioneers and emerging. "

The Telefónica Foundation is a recycled editions preserved the original facade, but inside is properly updated, it has two PB and 1st floor levels, simultaneously were developed different performances over three days. The physical space is divided into 4 specific areas: 1-Jam, 2-MOTOR, 3-and 4-MIXER SET UP.
JAM to contemporary manifestations in the room located on ground floor , a little narrow but with excellent sound and with 4 projectors showing time different real performances of VJs.
MOTOR, intensive workshop, also on the ground floor, where I teach a workshop with new software tools. Techniques. Demonstration of use. Transfer of technical knowledge among others.
MIXER, theory / s for blending ideas, space plasma, here was the place for ideas, debate and work samples.
SET UP, live audiovisual sets, upstairs "WIDE SCREEN" 16:3 ratio, here the path leading artists performed live with his most recent works.


real-time architecture (?) Wili Peloche
According team that coordinates the festival "... ARCHITECTURE theme is open to proposals ...", and are interested in adding some" mobile architecture "throughout the event in its 3rd edition in 2011 as P. Wili interest is in "... something to take into account the spatial relationship and to consider the issue of the screens as walls, plates, contentions, addresses or any other type of situation can manifest architectural ..." the important thing is that the festival has a common point in all the works that execution is occurring in vivo, which facilities are not considered in the sense that applies in the art, is static. Seek to create an interaction between what is heard, sound-, video-looks-and different talents of artist-selected, "the architectural proposals in this regard should try to attach to a new stage for our discipline. But for this we still have some time to think and see the possibilities we offer, ie what we offer to be worth that architecture is present in an event like this where all the time is experienced or tested in real time new possibilities, all of avant-garde (Avantgarde).